Max Dvořák a objev kostela Santa Maria Antiqua

Hečková, Petra

Digitální knihovna UPCE
→
Univerzita Pardubice
→
Publikace vydané Univerzitou Pardubice / Published by the University of Pardubice
→
Sborníky z konferencí / Conference Proceedings
→
Interdisciplinarita v péči o kulturní dědictví
→
2013 Interdisciplinarita v péči o kulturní dědictví
→
Zobrazit záznam

dc.contributor.author	Hečková, Petra
dc.date.accessioned	2016-11-25T09:53:52Z
dc.date.available	2016-11-25T09:53:52Z
dc.date.issued	2013
dc.identifier.isbn	978-80-7395-594-6 (Print)
dc.identifier.isbn	978-80-7395-595-3 (PDF)
dc.identifier.uri	http://hdl.handle.net/10195/66817
dc.format	p. 133-144	eng
dc.language.iso	cze
dc.publisher	Univerzita Pardubice	cze
dc.rights	open access	eng
dc.subject	Sta Maria Antiqua	cze
dc.subject	Max Dvořák	cze
dc.subject	palimpsest	cze
dc.subject	Pompejánský anděl	cze
dc.subject	Forum Romanum	cze
dc.subject	historiografie umění	cze
dc.subject	archeologie	cze
dc.subject	Giacomo Boni	cze
dc.subject	demolice	cze
dc.subject	iluzionismus	cze
dc.subject	raně středověké nástěnné malby	cze
dc.subject	Palimpsest	eng
dc.subject	Angelo Bello	eng
dc.subject	Roman Forum	eng
dc.subject	Art Historiography	eng
dc.subject	Archaeology	eng
dc.subject	Demolition	eng
dc.subject	Illusionism	eng
dc.subject	Early Mediaeval wall-paintings	eng
dc.title	Max Dvořák a objev kostela Santa Maria Antiqua	cze
dc.title.alternative	Max Dvořák and the Discovery of Santa Maria Antiqua	eng
dc.type	ConferenceObject	eng
dc.description.abstract-translated	The discovery of the early Medieval Church Sta Maria Antiqua, which was made within the archeological campaign at Forum Romanum in 1901, influenced not only the level of knowledge regarding the area of the Roman archaeology, but also contributed to the crucial turn of understanding and interpretation of the oldest Medieval art within the Roman area and in a broader perspective also to the modification of opinions on the nature of the oldest Medieval art and its relation to the preceding artistic tradition. The uncovered painting decoration originating in several phases of the period between ca. 550 - 850 AD, became a focus of attention of an array of archeologists and art historians almost immediately after its revelation. The discovery of the paintings in Sta Maria Antiqua also attracted the attention of art historian Max Dvořák, at that time a young professor Franz Wickoff‘s assistant at the institute of historical research, who repeatedly made journey to Rome because of his scholarship study stays. Even if the Sta Maria paintings were not the main focus of his scientific work, we know that Dvořák became instantly interested in such an outstanding discovery. The encounter with the new evidence of the development of wall painting from the key period between the end of the Antiquity and the beginning of the Medieval Ages provided him with a theme for a new approach to the topic concering the nature of the oldest Medieval art and its relation to the preceding artistic period of the Antiquity, which he dealt with in detail in the first years of the 20th century. It is quite peculiar that such an event, when an expected discovery of interesting archeological findings required tearing down all the building (of the Baroque church Sta Maria Liberatrice), which was discussed by experts and general public, unprecedented up to now, was not considered a preservation case by Dvořák, who later became a distinguished conservationist.	eng
dc.event	Interdisciplinarita v péči o kulturní dědictví (26.-27. April 2012, 23.-24. May 2013, Litomyšl, Czech Republic)	eng
dc.peerreviewed	yes	eng
dc.publicationstatus	published	eng