Kristus ukřižovaný na palmě, „locus tristis“ a emblematika 17. století

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dc.contributor.author Panoch, Pavel
dc.date.accessioned 2014-10-30T07:55:20Z
dc.date.available 2014-10-30T07:55:20Z
dc.date.issued 2011
dc.identifier.issn 1802-2502
dc.identifier.uri http://hdl.handle.net/10195/58436
dc.format p. 99-120 eng
dc.language.iso cze
dc.publisher Univerzita Pardubice
dc.relation.ispartof Theatrum historiae. 2011, issue 8. eng
dc.rights open access eng
dc.subject baroque art eng
dc.subject 17th century eng
dc.subject christian iconography eng
dc.subject emblem books eng
dc.title Kristus ukřižovaný na palmě, „locus tristis“ a emblematika 17. století cze
dc.title.alternative Christ crucifixed on a palm, „locus tristis“ and the emblematics of the 17th century eng
dc.type Article
dc.description.abstract-translated The paper deals with a curious iconography of a stone relief decorating the statue of St. John of Nepomuk in Pecka town in the Eastern Bohemia. The unusual sculptural motif of Christ crucified on a palm leaf, which is held in the St. John´s hands by his side, was a traditional sign of Christian Martyrs and its origin is rising from the mystical tradition of a Cartusian order. A founder of the Cartusian order, St. Bruno, was presented with this unusual type of the Cross in visual culture since the Medieval times. The motif was transformed during the Early Baroque Era to a poetical picture and during the first half of the 17th Century it has been applied in several Emblem books encluding enormously favourite and influential treatise Pia desideria written by Jesuit Herman Hugo and edited in Antwerp in 1624. eng
dc.peerreviewed yes eng
dc.publicationstatus published eng


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